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The Story - Part 1 |
A clip from the very first show
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Due to the popularity
and viewing figures for the initial run of six programmes,
the run was made open-ended. 1964 seemed the perfect
moment to launch a programme such as this. British acts
were influencing the world's charts and pop would later
seem to define the era. If it had been launched, say,
five years later it's questionable as to whether it would
have had as long a run as it has.
However, the trump card for TOTP has
always been its permanence. The programme was normally
always on, every week. It was also always on (excepting
its last two or three years) at peak viewing time, on
tha main channel. After an early shift from Wednesday,
Thursday night remained for over 30 years as Top Of The
Pops time. There were few occasions, of course, when
the programme moved nights for sporting coverage or other
events, but by and large it remained consistant on BBC1
on Thursday evenings at around 7.20pm (19.20hrs). Most
of its competitors never had the luxury that TOTP had
in terms of its peak slot.
Of course there have been
changes along the way, as TOTP has continually re-invented
itself. Perhaps the last decade or so has seen the most
frantic period of change, but it has done so in an evolutionary
sense. It outlasted programmes like The Roxy and Razzamatazz.
Sadly in the UK at least, the show will become like others,
just a memory, but a great one at that (unless |
by some
miracle it is revived in the future). The brand will
not die soon as it is licensed to over 180 countries
worldwide. Even in mainland European countries such as
Germany, Holland, Belgium & Italy, indeed worldwide
in countries as far flung as Australia & New Zealand
the show goes from strength to strength.
One of the reasons was undoubtedly
the rules that original producer Johnnie Stewart devised
for the programme. Stewart was to be involved with the
programme for over a decade, but the format was so strong
that people did not notice when he left. The basic rules
were simple enough - the number one record would always
be featured, as would the highest new entry and the highest
climber. Records going down the charts would never be
featured, unless they started to climb again and reach
a higher position than before. Non-movers could only
be played if they didn't move for four weeks, and, crucially,
no record apart from the number one could be played on
consecutive programmes.
This format made sure that throughout the 60's the audience
figures remained around the 15-16 million mark.
If these audience figures had been the same in the show's
last couple of years, it would have been inconceivable
that the show would have ended.
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Pan's People
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4 Early presenters from top to bottom. Pete Murray, Alan Freeman (left) Stuart Henry (right), Sir Jimmy Savile |
These rules enabled a high turnover of material, which
was essential for a permanent programme. Also, they stopped
any favouritism by the producer - only records going
up that week's charts could be selected. The concentration
of that week's chart also meant that the programme could
be seen as a definitive record of what was popular -
if you wanted to know what people were actually buying,
you'd watch Top Of The Pops. There were further constraints
on the tracks chosen - three minutes was always the maximum
for an act to perform, so if you didn't like what record
was on now, there'd be another along very soon.
A
further guarantee of the programme's 'independence' the
choice of presenters. Curiously, no regular presenter
was selected, the honours initially being shared by Sir
Jimmy Savile, Pete Murray, Alan Freeman & David Jacobs
- each presenter taking it in turns to front the show.
Therefore the true 'faces' of Top Of The Pops were the
acts that were on that week's programme. Whilst Jimmy
Savile was to become a regular presenter for 20 years
or so it was never thought of as a 'Jimmy' show. When
Radio 1 began in September 1967 all of Top Of The Pops
presenters were taken from the station. Some of them
were not very telegenic, but again the idea was to avoid
the personality presenter. It also served as useful cross-promotion. |
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