There Were Very Few Programmes That Remained A Staple Of The Schedules For Generations

Normally they do so by virtue of a simple format that nobody can think of a better way of doing - children's magazines, sports programmes and so on. The same is very true of TOP OF THE POPS. The idea of representing what was in the charts that week is such a strong format that everybody under the age of 60 must have seen at least one episode.

Top Of The Pops was by no means the first pop programme on TV, but the format remains so obvious that one almost cannot believe that nobody had thought of it until 1964. However, it was quite revolutionary for its time - the Radio Times article launching the series announced that the performers who's songs are popular and are in the charts will be represented. They will then mime to their discs. This is a departure from standard BBC policy, but the idea is to replicate the sound of the popular track. No two performances are the same, but this performance is the one that made it a hit. So basically it was records on telly - and popular ones at that.

The show was such a hit with the acts and their managers themselves that for one of the first shows, Beatles manager Brian Epstein contacted the then head of BBC Light Entertainment - Bill Cotton to ask him if he would play a Beatles record on the show. Bill replied saying that he would provided The Beatles showed up at the studio.
Brian Epstein remarked to Bill - could you imagine what would happen if The Beatles showed up at Dickenson Road, there'd be a riot, to which Bill replied - I KNOW!

By 1967 the closure of this studio in Manchester (another shortly opened in Piccadilly) and the increasingly difficult part of getting all the acts to Manchester (as most were by now based in London), it was decided that the show now be broadcast from London.

If it had continued in the UK in its original format and on Thursday evenings but just brought up to date, it would most likely still have keep pretty good viewing figures.

It the late 90's however the show was tinkered with and became not a patch on its former self that viewing figures slumped. Moving it from Thursdays to Fridays and pitching the time slot opposite a massively viewed soap opera it just didn't stand a chance. In fact in my opinion is that this was done as a way of axing the show discreetly. When changed to Sundays on BBC2 this was the final death knell for the show.

One of the reasons the show lasted 42 years is undoubtedly the rules that original producer Johnnie Stewart devised for the programme.

   
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