UK Chart History - the first 50 years

UK SINGLES CHARTS - from the beginning
TO SEE THE CHART MILESTONEs click the links (bold text)

The very first UK Singles Chart published was by N.M.E. Magazine and was a Top 12. Published on 14 November 1952, it continued to be the official chart until 10 March 1960. Previous to 14 November 1952 the only chart (published by (Melody Maker) related to sales of sheet music.

On 2 October 1954 the charts were extended to a Top 20, they were further extended to a Top 30 on 13 April 1956.

The last N.M.E. chart used as the official chart was published on 26 February 1960.

From 10 March 1960 the chart was compiled by the retail music magazine Record Retailer (later to become MUSIC WEEK), although N.M.E. continued to publish its own independent charts as other magazines such as Melody Maker and Disc & Music Echo had theirs. The data used was that of week ending 5 March.

From this date the charts them became a Top 50. Although Music Week (then - Record Retailer) was a RECORD INDUSTRY magazine sent to record outlets, their charts became available to the public when printed in the magazine RECORD MIRROR, from March 1962 right up until the day the magazine ceased in April 1991.

From 3 January 1963 the Top 50 became independently audited.

US records where the sounds of the time until the arrival of The Beatles, and for the first time on 4 April 1964 they created history as they held all the Top 5 positions on the Billboard Hot 100 with even more further down the chart.

1 January 1964 saw the first ever edition of the TV show TOP OF THE POPS from the BBC, it was first broadcast on Wednesday evenings at 18.35 hrs. It was intended to only last for 6 weeks, with an option for another 6, but due to its popularity they kept it going, though; gradually changing its format somewhat. After the initial broadcasting it then went out on Thursday evenings at 19.00 hrs (7pm) for years, in its last years out at 19.30 hrs (7.30pm) on Fridays. There is a history of TOP OF THE POPS on this site. It also now has sister programs (still called Top Of The Pops) in Germany, Holland and indeed in over 120 countries worldwide.

The previous year ITV started its own pop show on Friday nights and it's catchphrase was The Weekend Starts Here. On this show though, (which featured the georgeous Cathy McGowan) most acts mimed to their records. This show was called READY STEADY GO. The rights to all the recordings of this show that are known to still exist are owned by Dave Clark formerly of top 60s band DAVE CLARK FIVE.

From around 1963, Germany has its own pop shows, one of which, similar in format to TOTP was BEAT CLUB. This was a great show and lasted well into the 70s and featured mainly UK and US acts, also one of the presenters was British DJ, Dave Lee Travis. Lots of editions of this show still survive today, over 95% of the act on this show were either British or American and clips can sometimes be seen on the UK version of satelite TV station VH1 Classics.

Good Friday 1964 saw the first broadcast by a British Pirate Radio Station RADIO CAROLINE later to become Radio Caroline South and broadcast from a ship moored just over 3 miles off the Essex coast. As pop music was in very short supply on radio in the UK except for the evenings when Radio Luxembourg was broadcasting. Due to this station's broadcast coming from Luxembourg on Medium Wave Band (AM), the signal used to fade in and out very badly.

When the Marine Offences Act of 1967 came into force all but one of them closed down and the british government stated that anyone sending supplies to them or advertising on them would be prosecuted. Also anyone working on them would be prosecuted if they came inside terretorial waters after the August 14 1967 deadline. The only station to carry on broadcasting was Radio Caroline South (the station that started it all) and at 00.01 hrs on 15 August 1967 the first record played was We Shall Overcome by Joan Baez.

January 26 1967 saw the chart entry for the first week, of the record with the longest number of continuous weeks in the UK chart. This record was Release Me by Englebert Humperdinck which spent a massive 56 continuous weeks in the UK charts, then still a Top 50. September 30 1967 saw the first broadcast of Radio One from the BBC and at 7.00 on this day the very first record was introduced by DJ Tony Blackburn. The record being FLOWERS IN THE RAIN by MOVE.

On 21 January 1965 a unique chart occasion happened but unknown at this time but the first of 2 chart entries (the other first charted on 1 November 1967), of the title EVERYBODY KNOWS by DAVE CLARK FIVE. Both had the same title, both by the same artist but were quite different songs. The only other time to come close to this was the chart entry of 13 October 1984 and 15 December 1990 there were 2 different songs both called Freedom. The 1984 entry was by WHAM and the 1990 entry was by GEORGE MICHAEL who was also on the single by Wham.

On 13 February 1969, the chart now compiled for Record Retailer (Music Week) and the BBC by British Market Research Bureau

Still on the subject of unique chart occasions the next one was on the charts of 4 October 1969 and the following week on the 11th. This was unique in that they contained a record at 2 different chart positions which were the same song the same artists and the same recorded version. The only thing different is that they were both on different record labels. The song in question was JE T'AIME...MOI NON PLUS by JANE BIRKIN & SERGE GAINSBOURG. It was originally released on the Fontana label but was banned by Radio One at that time due to its errotic sound, so due to its controversy Fontana withdrew the record and was then released on the Major Minor label. Because there were Fontana singles still in the shops along with the Major Minor release, on 4 October 1969 the Major Minor release was at number 3 and the Fontana single at number 16. Also at that time it was the biggest ever selling single for a completely foreign language record.

This seemed to be the era of the banned record for on it's way down this chart after peaking at number 10 was reggae record WET DREAM by MAX ROMEO. Also banned at this time were WRECK A BUDDY by SOUL SISTERS and EROTICA by RITA.

From 6 February 1971 - for 7 weeks, the chart was restricted to a Top 40 due to a postal strike. On 27 March Top 50 resumes.

There were 2 instances when at 2 different positions with the same record by the same artists (Leader Of The Pack by Shangri-las) in 1976 and (Shout by Lulu) in 1986, but they were the original version and either a re-recorded or re-mixed version.

July 1977 saw the first edition of the Guinnes Book Of Hit Singles hit the shops. It was then published every 2 years.

On 5 May 1978 the charts were further extended to a Top 75. At this time they were compiled by the British Market Research Bureau. Later the charts were compiled by Gallup. Radio One stayed just with the top 40 as it still does today (I do not know why.) Perhaps if they played the complete Top 75 their Chart Show rundown on Sunday evenings would last 4 hours.

On 7 February 1981 saw the entry date of the first ever single to hit the charts on import sales alone. The record: THAT'S ENTERTAINMENT by JAM. This never happened again until the late 90s.

The chart was increased again on 8 January 1983. This was the last time the chart increased, this time to a full Top 100 although positions 76-100 were unofficial. Also on this day the chart compilation was taken over by Gallup.
In the new millenmium the charts were to be compiled by the Official Charts Company then in 2007 it made the Top 100 official, although the chart unofficially there are positions 101-200.

On 19 March 1983 was the entry date of the best selling 12inch single of all time which peaked at number 8 and was in and out of the Top 100 for nearly 5 years. The record: BLUE MONDAY by NEW ORDER.

July 6 1991 saw the first week at number one for the record that spent the longest number of continuous weeks at number one, this was Eveything I Do by Bryan Adams which spent 16 weeks at number one and totalled 24 weeks in the UK Top 75. Just under a year later was the second highest number of continuous weeks at number one, this was Love Is All Around by Wet Wet Wet which spent 15 weeks and a total UK Top 75 run of 37 weeks.

December 1992 sees chart compilation taken over by CIN. These included vinyl, cassette and CD singles. This was based on a minumum of 500 outlets.

12 February 1994 sees chart compilation taken over by Millward Brown. This was based on a minumum of 1000 outlets.

21 February 1998 saw the second single to make the Top 75 on import sales alone before an official UK release. The record: IT'S LIKE THAT by RUN DMC vs JASON NEVINS. Following on 21 March 1998 was the next one which was IT'S TRICKY also by RUN DMC vs JASON NEVINS.

1999 exagerated the situation in the UK charts in that from Aug 1 to Nov 30 there were 10 singles that entered the UK top 75 that had not had an official UK release and therefore made the charts on import sales alone. There have never been so many singles on sales of imports only hit the charts in such a short time before. All but 2 of them (*) were big European produced hits. See HERE

Now we are in the new Millenium the only artist to have a Top 10 hit in 6 decades from the 50s through to 2000 is Cliff Richard. Though he is not liked by everyone this is still a great milestone. His first single MOVE IT first entered the UK charts on 12 September 1958 and reached number 2. He has had 65 Top 10 hits and sold more than 86 million singles worldwide.

Right at the beginning of the new millenium another unique occasion has happened on the UK charts. On the 10 January 2000, the record MASSES AGAINST THE CLASSES by MANIC STREET PREACHERS was released. 24 hours later the record was deleted but it still made number 1 on the 16 January. This is something that has never happened before in chart history.

Here we go, the UK's single releases are behind again. The charts for February 19 & 26 2000 see 3 more singles hit the charts on import sales only.

Another first in the history of the UK charts has happened for the week April 9 to 15 2000. It is the first time ever that the top 6 positions are all new entries on the chart.

Chart History keeps on being made and the latest is that a record entered the UK charts on 15 April 2000 that has become the longest Top 75 survivor than any other that failed to make the Top 20, a full 21 weeks. The record in question is AMAZING by LONESTAR.

2000 has seen a new record in the history of the charts as MY LOVE becomes Irish boy band WESTLIFE'S 8th consecutive number one out of their first 8 releases although the follow-up WHAT MAKES A MAN breaks the sequence in December as CAN WE FIX IT by animation character BOB THE BUILDER keeps it at number 2 over the Christmas period.

The charts for week ending 24 Feb 2001 has seen the first single to top the charts in for more than 3 weeks in this millenium. This is quite a rare thing these days. The single in question is WHOLE AGAIN by ATOMIC KITTEN.

On March 19 2000 the brand new UK number one makes another historic record. The single in question is PURE & SIMPLE by HEAR'SAY. This has become the fastest selling single ever for a debut disc. A phenominal 600,000 in just 6 days. This band was got together on the UK TV show Popstars which showed them auditioning right through to making the big time. There have also been versions of this show in USA (Eden's Crush), Germany (No Angels), Australia (Bardot), Ireland (Six), France (L5), New Zealand and Sweden (Exellence). The New Zealand group sank without trace but the Australian group also hit big time and have so far had 4 singles in the Aussie Top 10.

On May 6 2001 another chart record has been set. This time the honours go to GERI HALLIWELL who's song IT'S RAINING MEN (a cover of the Weather Girls 1980s hit) became her 4th UK consecutive number one single. This makes her the first female UK solo singer ever to have 4 solo consecutive number one hits in the UK.

August 2001 sees another piece of chart history made in that OVER THE RAINBOW by EVA CASSIDY becomes the first single ever to chart for more than 25 weeks without ever reaching the Top 40.

The chart for week ending January 26 2002 sees the next landmark.
It is the first time that posthumous number ones have followed each other. In this case it is those of the late AALIYAH & GEORGE HARRISON.

AND THE STORY GOES ON...